This is a Stunning Vintage Hard to Find True Classic Santo Domingo Turquoise Nugget Necklace. Circa 1930’3 -1940’s. I bought this necklace in a Pawn Shop in the 80’s. It still has the Pawn Shop Tag. It has large 1 1/4 inch Turquoise Nuggets to smaller 1/2 inch Turquoise Nuggets all strung with Heshi beads in-between. It measures a total of 29 inches long. Strung on string with 5 1/2 inches of Heshi beads at each end and Sterling beads and end caps and hook and eye closure. Hallmarked sterling on the end caps. It is a truly stunning and rare piece. In excellent vintage condition. This item is in the category “Jewelry & Watches\Ethnic, Regional & Tribal\Necklaces & Pendants”. The seller is “kashi58″ and is located in this country: US. This item can be shipped to United States, Fiji, Papua New Guinea, Wallis and Futuna, Gambia, Malaysia, Taiwan, Poland, Oman, Suriname, United Arab Emirates, Kenya, Argentina, Guinea-Bissau, Armenia, Uzbekistan, Bhutan, Senegal, Togo, Ireland, Qatar, Burundi, Netherlands, Slovakia, Slovenia, Equatorial Guinea, Thailand, Aruba, Sweden, Iceland, Macedonia, Belgium, Israel, Liechtenstein, Kuwait, Benin, Algeria, Antigua and Barbuda, Swaziland, Italy, Tanzania, Pakistan, Burkina Faso, Panama, Singapore, Kyrgyzstan, Switzerland, Djibouti, Chile, China, Mali, Botswana, Republic of Croatia, Cambodia, Indonesia, Portugal, Tajikistan, Vietnam, Malta, Cayman Islands, Paraguay, Saint Helena, Cyprus, Seychelles, Rwanda, Bangladesh, Australia, Austria, Sri Lanka, Gabon Republic, Zimbabwe, Bulgaria, Czech Republic, Norway, Côte d’Ivoire (Ivory Coast), Kiribati, Turkmenistan, Grenada, Greece, Haiti, Greenland, Yemen, Afghanistan, Montenegro, Mongolia, Nepal, Bahamas, Bahrain, United Kingdom, Bosnia and Herzegovina, Hungary, Angola, Western Samoa, France, Mozambique, Namibia, Peru, Denmark, Guatemala, Solomon Islands, Vatican City State, Sierra Leone, Nauru, Anguilla, El Salvador, Dominican Republic, Cameroon, Guyana, Azerbaijan Republic, Macau, Georgia, Tonga, San Marino, Eritrea, Saint Kitts-Nevis, Morocco, Saint Vincent and the Grenadines, Mauritania, Belize, Philippines, Democratic Republic of the Congo, Republic of the Congo, Colombia, Spain, Estonia, Bermuda, Montserrat, Zambia, South Korea, Vanuatu, Ecuador, Albania, Ethiopia, Monaco, Niger, Laos, Ghana, Cape Verde Islands, Moldova, Madagascar, Saint Pierre and Miquelon, Lebanon, Liberia, Bolivia, Maldives, Gibraltar, Hong Kong, Central African Republic, Lesotho, Nigeria, Mauritius, Saint Lucia, Jordan, Guinea, Canada, Turks and Caicos Islands, Chad, Andorra, Romania, Costa Rica, India, Mexico, Serbia, Kazakhstan, Saudi Arabia, Japan, Lithuania, Trinidad and Tobago, Malawi, Nicaragua, Finland, Tunisia, Uganda, Luxembourg, Brazil, Turkey, Germany, Egypt, Latvia, Jamaica, South Africa, Brunei Darussalam, Honduras.
THIS IS A ANTIQUE VINTAGE AUTHENTIC ZUNI NATIVE AMERICAN INDIAN MULTI STAND AND STERLING SILVER TRIBAL NECKLACE. IT IS ABOUT 27. This item is in the category “Jewelry & Watches\Ethnic, Regional & Tribal\Necklaces & Pendants”. The seller is “stgerard1″ and is located in this country: US. This item can be shipped to United States, Italy.
PLEASE READ DESCRIPTION AND MEASUREMENTS TO AVOID A RETURN DUE TO SIZING ISSUES!!! PLEASE MEASURE YOUR WRIST AND KNOW YOUR RING SIZE! Handcrafted in the later-mid century, by Zuni Artists Benjamin and Shirley Tzuni, this 4 piece set includes a panel necklace, cuff bracelet, ring, and a pair of earrings. Each piece features an advanced inlay technique using black onyx, turquoise, and coral, all over sterling silver. This signature sunface design created by the Tzuni duo is typically seen with turquoise and mother of pearl. When we came across this design in onyx and turquoise we knew it was special and incredibly rarea must have for the avid collector. None of the pieces are signed which is odd for the duo, however it is very apparent that this is earlier work of Benji and Shirley. There signature design and technique would not and could not have been reproduced. The set is in mint like new condition and has rarely been worn. The dark onyx contrasts beautifully with the bright blue turquoise and the inlay work is superb. The set really should stay together if possible. Please see all 12 photos. This handcrafted Zuni set will make a great addition to any existing collection of fine Native American jewelry. Cherish and enjoy this beautiful set for now…. And hand it down to loved ones in the future. Weight – 63 Grams. Length, From End To End – 22, with a 3-3/4 drop. Sunface Pendant Measurements – 2-5/8 in diameter(width), The top square portion of the pendant is 1-1/8 tall by 1 wide, with the mini sunface being 5/8 in diameter(width). Side Panels Measure – 3-1/4 long by 1/2 wide. Signed By Artist – NO. Stamped Sterling – YES, tested and verified. Later-Mid Century, 1980s+. Condition – Preowned, in excellent vintage condition, with original inlays and slightly aged patina, ready to wear or display. Weight – 42 Grams. Inner Circumference End To End – 5-1/8. Gap – 1-1/4 (slightly adjustable). Total Inner Circumference – 6-3/8 (should fit a 6 too 6-3/8 wrist). Cuff Face Measurements – Width of cuff at front center is 2-1/4. The inlaid sunface is 7/16 in diameter(width). The petite point turquoise stones are just over 1/4 long. The side wings measure 1-1/4 long by 5/8 wide. Size – 7.25. Weight – 9.5 Grams. Ring Face Measurements – Just under 1-1/2 tall by 1 wide. Weight – 6.5 Grams Total, 3.25 Grams Each. Length – Just under 2 long when measuring from the top of fishhook all the way down to the bottom of earring. I treat every item as if it were my own. Extra bubble wrap and packing materials are used to ensure a safe arrival to its new owner. Please see all 12 photos!! Enlarge them and study them. Ask any questions you may have. Im always here to help and I respond quickly and nicely. THANK YOU FOR SUPPORTING AUTHENTIC NATIVE AMERICAN JEWELRY! The item “INCREDIBLE RARE Vintage Zuni Sterling Silver Turquoise & Onyx Inlay 4 Piece Set” is in sale since Thursday, October 7, 2021. This item is in the category “Jewelry & Watches\Ethnic, Regional & Tribal\Rings”. The seller is “native-obsession” and is located in Burgaw, North Carolina. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, South Korea, Indonesia, South africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Singapore, Switzerland, Norway, Saudi arabia, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Chile, Colombia, Barbados, Bangladesh, Bermuda, Brunei darussalam, Bolivia, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman islands, Liechtenstein, Sri lanka, Luxembourg, Monaco, Macao, Martinique, Maldives, Nicaragua, Oman, Pakistan, Paraguay, Reunion, Uruguay.
This listing features a large vintage Navajo cuff bracelet, made of sterling silver, turquoise, and heishi shells. This expertly handcrafted design is a museum quality piece of work. It dates back from the mid too later-mid century (1960s- 1970s) and is in near mint condition. The face features an incredible mountain of raised flush inlaid turquoise. The individual stones add up to 11 in total and are perfectly flush with one another. They sit raised on the shank at 1/4 high with each end stone tapering down to the shank. Each inlay has a smooth high polished finish and portray rich shades of Caribbean blue along with creamy matrixes.. Truly a site for sore eyes, but the Artist didnt stop there.. Deep valleys, filled with tiny heishi shells held closely together with silver wire wrap the cuff end to end. Theyre in excellent vintage condition with none missing and no chipping. The individual shells can be twisted on the wire making the condition of this piece that much more unbelievable. Following the heishi shells on each side are classic Navajo stampings running from end to end. NOTE: Due to the shank being so thick and wide, the stones being inlaid, and the heishi shells being strung on wire this cuff has no flex and cant be adjusted.. MEASURE YOUR WRIST AND READ THE MEASUREMENTS BEFORE PURCHASING. Make an offer and lets make a deal! This superbly made cuff will make a great addition to any collection of fine Native American jewelry. Tangible pieces of this caliber and in this condition are few and far in between. Cherish and enjoy this cuff for now…. And hand it down to a loved one in the future. Weight – 189.5 Grams/6.7 Ounces. Inner Circumference End to End – 6. Gap – 1-1/2 (NOT adjustable). This cuff will fit a 7-1/4 wrist perfectly.. If your wrist is 7-1/2 (the total size of the cuff) then it will be very tight and I dont recommend purchasing. If your wrist is smaller than 7 then it may be too loose. With all that being said, this cuff should work for someone with a wrist size between 7 and 7-3/8. Width of Cuff Measures – 1-3/4. Turquoise Inlay Measurements – There are a total of 11 inlays with a width of just under 3/4 all the way around the cuff face. The largest inlay rests at the front center and has a length of 1. They sit raised on top of the cuff at a height of 1/4 before tapering down at each end. ABSOLUTELY SUPERB INLAY WORK! Signed by Artist – YES, with a single initial A and a Picto Hallmark of 2 arrows directly above the A. Ive researched this marking and cant find the Artist. I believe it to be an unknown Navajo Artist, however it possibly could be a Hopi or Santa Domingo Pueblo Artist. Stamped Sterling – NO, tested and verified. Mid too Later-Mid Century, 1960s+. Condition – Preowned, in excellent vintage condition with all original stones and naturally aged patina, ready to wear or display. I treat every item as if it were my own. Extra bubble wrap and packing materials are used to ensure a safe arrival to its new owner. Please see all 12 photos!! Enlarge them and study them. Ask any questions you may have. THANK YOU FOR SUPPORTING AUTHENTIC NATIVE AMERICAN JEWELRY! The item “RARE MUSEUM Navajo Turquoise Inlay & Heishi Silver Cuff Bracelet INCREDIBLE” is in sale since Sunday, June 6, 2021. This item is in the category “Jewelry & Watches\Ethnic, Regional & Tribal\Native American\Bracelets”. The seller is “native-obsession” and is located in Atkinson, North Carolina. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, South Korea, Indonesia, Taiwan, South africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Singapore, Switzerland, Norway, Saudi arabia, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Chile, Colombia, Barbados, Bangladesh, Bermuda, Brunei darussalam, Bolivia, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman islands, Liechtenstein, Sri lanka, Luxembourg, Monaco, Macao, Martinique, Maldives, Nicaragua, Oman, Pakistan, Paraguay, Reunion, Uruguay.
This listing features an incredible work of art by the highly esteemed Navajo Artist Danny J. The cuff is made with sterling silver, gem grade turquoise, and other gem stones. The cuff was constructed from a strong thick shank made of solid silver. The outer edges of the cuff features flush inlays of turquoise while the center has raised cobblestone inlays of several different gem stones. At the front center of the cuff a rectangular bed of silver sits with the same design of flush inlays of turquoise around the edges and multiple raised cobblestone inlays in the middle. A stunningly designed piece! The stone inlays feature some of the most bold and vivid color hues weve seen in a while. The turquoise has gorgeous blue color qualities along with cloudy white matrixes, dark veiny matrixes, and speckled pyrite shimmering throughout. The corals have a deep hazy red, the malachite is deep green with matrix swirls of green just a shade lighter, and the mother of pearl has its classic iridescent sheen. Stewart also added black onyx, petrified wood, bone, gold lip mother of pearl, and lime green turquoise. All of the inlays are in excellent condition with the exception of one stone with a crack….. All 73 stones used to create this cuff are secure within their settings with no movement. This extraordinary handcrafted cuff will make a great addition to your existing collection of fine Native American jewelry…… Or it could be the the perfect piece to start one! Cherish and enjoy this timeless work of art for now…. And hand it down to loved ones in the future. Inspired by designs thousands of years old and executed only by the hand of the artist himself, the work of Danny Stewart is like none other. Using his knowledge in casting as well as an unrivaled skill with the jewelers torch, his settings display great strength as well as graceful artistry. Each piece of jewelry created by Danny Stewart is expected to withstand many years of everyday wear. Rarely entering competitions, Danny has won blue ribbons in every competition he has entered such as his first place award in the 2000 New Mexico Jewelers Association All That Glitters – Silver Jewelry Design competition which was displayed at the New Mexico Museum of Natural History. NOTE: The matching ring made by Stewart is listed separately under my listings. Weight – 89.5 Grams. Inner Circumference End To End – 5-1/4 (5.25). Gap – 1-1/8 (1.125). Total Circumference With Gap – 6-3/8 (6.375) Will fit a wrist between 5-3/4 and 6-1/8 comfortably… This cuff is NOT ADJUSTABLE, if your wrist is larger than 6-1/8 it will be too tight. Width Of Cuff – 1 wide (not including the front center piece), with a thickness/depth of 1/4 including raised stones. Rectangular Center Piece Measures – 1-9/16 long by 7/8 wide, with a thickness of 1/4. Total Number Of Stones Used – 73 total stones used in entire cuff – 25 flush turquoise inlays around the outer edge of the shank, 33 raised cobblestone inlays around the front center of shank, 8 flush inlays of turquoise around the outer edge of rectangular center piece, 7 raised cobblestone inlays in the center of rectangular center piece. Signed by Artist – YES, DJStewart, the highly esteemed Navajo Artist Danny J. Stamped Sterling – NO, tested and verified. Later Mid-Century, 1980s – 1990s+. Condition – Preowned, in excellent vintage condition with original stones and naturally aged patina, ready to wear or display. I treat every item as if it were my own. Extra bubble wrap and packing materials are used to ensure a safe arrival to its new owner. Please see all 12 photos!! Enlarge them and study them. Ask any questions you may have. Im always here to help and I respond quickly and nicely. THANK YOU FOR SUPPORTING AUTHENTIC NATIVE AMERICAN JEWELRY! The item “INCREDIBLE Vintage Navajo Silver Turquoise Cornrow Inlay Cuff Bracelet RARE” is in sale since Sunday, February 21, 2021. This item is in the category “Jewelry & Watches\Ethnic, Regional & Tribal\Native American\Bracelets”. The seller is “native-obsession” and is located in Atkinson, North Carolina. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, South Korea, Indonesia, Taiwan, South africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Singapore, Switzerland, Norway, Saudi arabia, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Chile, Colombia, Barbados, Bangladesh, Bermuda, Brunei darussalam, Bolivia, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman islands, Liechtenstein, Sri lanka, Luxembourg, Monaco, Macao, Martinique, Maldives, Nicaragua, Oman, Pakistan, Paraguay, Reunion, Uruguay.
Experts in Finding Rare Tribal Art for Your Collecting Interests. AN EXTRAORDINARY ANTIQUE AYMARA INDIAN BLANKET FROM THE BOLIVIAN ALTIPLANO. Origin: Probably southern Pacajes Province, high Altiplano above 12,500 feet, Department of La Paz, Bolivia, South America. This special offer consists of an authentic indigenous Aymara-speaking-Native American hand-woven, warp-faced isi ikiña (also called chusa ikiña) shoulder blanket woven in two pieces that were joined together with a common seam. This is an especially important textile not only for its visual charm but also for its unique, mysterious iconography. This is an awesome tribal blanket for its uncanny similarity to certain mid-to-late-19th century Navajo weavings, known generally as, ¨women´s first phase chief´s blankets¨ (see the last photo in our series). Most Navajo examples are worth about 200 to 300 times the value we have placed on this Aymara example. This beautiful Bolivian specimen, of course, is not a copy or an exact likeness to Navajo examples but it is so similar in certain aspects that an inquiry into such circumstances is warranted. In both, the divided field is filled with dark and light (black and white) stripes of equal width. When worn, the stripes run horizontally around the wearer´s body. Both have dark center bands and dark top and bottom bands. Shades of red are included in the predominant colors. The similarities are obvious. This analogous and extraordinary coincidence begs review on the part of tribal textile scholars to explain these iconographic similarities involving very distinct indigenous Indian groups some 7000 kilometers, or 4300 miles apart. We know that both kinds of textiles come from Native American sources living in desert-like environments; the Bolivian Altiplano physically resembles most of the Navajo Reservation in Arizona. Both groups are horticulturalists and domestic animal herders (the Navajo raise sheep; the Andean Indians raise sheep, llamas and alpacas). Both groups are famous for their weaving arts. Historical evidence suggests that the blankets were produced in traditional, isolated settings with nary possibility of contact between the two ethnic groups during their time frames of production. Thus, explaining why those artistic similarities exist between blankets of distinct American Indian cultures is puzzling and stimulating. There are undoubtedly myriad such similarities among indigenous material culture throughout the world that also beseech serious investigation. This old blanket was woven with stripes of dark brown (blackish), cream, salmon (faded) and berry red (faded) colors. The original center seam joining the two halves is in excellent condition. This textile is well-woven with about 22 warps per inch and 5 1/2 wefts per inch. It is a warp-faced textile woven on a horizontal, staked ground loom with stretched poles traditional Navajo blankets are weft-faced and woven on vertical looms with stretched, horizontal poles. Andean blankets of this age are exceedingly difficult to encounter and are rarely found in this condition. This is a relatively lightweight, beautiful textile that is just a pleasure to behold and examine. It is a very wonderful example of an historic Aymara Indian shoulder blanket that is likely irreplaceable. Please refer to the ANDES AMAZON “DATING” TERMS. Materials: Hand-spun natural and dyed sheep wool. Approximate Size: 67 inches by 59 inches. Condition: EXCELLENT, used condition. The dyed colors have faded significantly from age. There are numerous small and very light use-stains that do not distract significantly from the aesthetics of the blanket. These light stains ARE NOT as apparent ¨in the hand¨ as they might appear in the photos. Nevertheless, professional cleaning would undoubtedly improve the condition. There are no holes or significant worn spots. Please refer to the photos for any minor defects and the ANDES AMAZON TEXTILE “CONDITION” TERMS. The disadvantage is that items will not arrive quickly. Since the shutdown of the U. Government earlier this year, the arrival time to the U. Is now around three weeks and to Europe and Asia is approximately six to eight weeks. Our offices are not in close proximity to international postal service. ANDES AMAZON “DATING” TERMS. PREHISTORIC, PRE-COLUMBIAN, ANCIENT = Before around A. 18TH CENTURY = A. 19th CENTURY = 1800 to 1899. TURN OF THE 19TH CENTURY = 1890 to 1910. EARLY-20TH CENTURY = 1900 to 1933. MID-20TH CENTURY = 1934 to 1966. LATE-20TH CENTURY = 1967 to 1999. TURN OF THE 20TH CENTURY = 1995 to 2005. EARLY-21ST CENTURY = 2000 to Present. ANTIQUE = Over 50 years old. VINTAGE = Over 30 years old. CONTEMPORARY = Made in the last 5 years. CIRCA = Approximately/around/within a few years of. ANDES AMAZON TEXTILE CONDITION TERMS. Terms used to describe the physical condition of textiles can be subjective and vary greatly from one observer to another. What some others call mint condition, we call good; what others call excellent condition, we call fair. Following are explanations of the terms we use. MINT = Like new. Unused — as if recently removed from the loom. No wear or patina of any kind. These textiles may have nubs or even loose, uncut threads from the weaving process. EXCELLENT = Usually only lightly used, often guarded or stored for many years. There may be extremely light wear, patina and sheen from use. There may also be nearly undetectable light staining or soiling from use. The colors may have muted ever so slightly due to age or exposure, often improving the beauty of a textile. VERY GOOD = Usually lightly or only periodically used. The surface may be very lightly but evenly worn. There are no tears or distracting holes. There may be minimal surface discoloration. Vintage textiles may have lightly darkened yarn from use and age (staining and soiling). Overall, the textile will be in outstanding condition and at a displayable distance will appear perfect. GOOD = Usually moderately to well-used. There may be light to medium staining, isolated or throughout. Some parts of the textile may be worn or have very small holes, occasionally exposing hidden thread yarns. Edges may be lightly frayed. Surface discoloration due to age and exposure is common but often improving the appearance of a textile. There may be minor, light or isolated, dye run. Damage will not distract significantly from the textile when displayed. FAIR = Either well-used or moderately abused. Extensive wear is common as is some bleeding or dye run. In most 20th century cases, the colors have considerably faded. Sections of fringe or tassels may be missing. Textiles may be in otherwise excellent condition but with a single isolated sector of damage, that greatly reduces its aesthetic appeal. Most vintage tribal textiles on the market are in FAIR TO GOOD condition. POOR = Showing evidence of extreme usage and damage. These textiles do not display well and are primarily useful as study specimens or examples of sometimes very rare textiles. We believe the world can be a better place. We believe that humanity has a higher, aspiring destination. We know that through mutual respect conflicts will subside. We know that by understanding our differences we can help one another. We believe that our Mother Earth and our Universe can provide unlimited resources for every man, woman and child to live in peace, happiness and love. As stewards of the human race we have an intrinsic responsibility to do what we can to improve our world as much as possible. The majority of human existence has been dominated by so-called Native groups, also known as tribal folk, original residents, indigenous people, aboriginals, First Nations, traditional ethnicities, autochthonous societies, autochthonal cultures, et. At some point, of course, our ancestors were the same regardless of current culture, creed or color. Regrettably, in the past half a millennium, thousands of unique tribal groups have disappeared due to misunderstanding, impudence and ethnocentrism. Aspects of colonialism, capitalism, racism and politicization have directly and circuitously destroyed myriad native cultures, each a once-valuable resource to our planet. Of the nearly 7000 languages currently spoken on our planet, over 6000 are in immediate danger of becoming extinct. Nearly all, being ethnic indigenous. We believe the very few Native groups that remain on earth should be cherished and carefully supported. Unfortunately, we are on the brink of losing our connection with indigenous spirit, wisdom and traditional knowledge. For more than a quarter-century those of us behind AKATAKSA/ANDESAMAZON have dedicated our professional interests in documenting traditional South American indigenous cultures, especially through their material culture. Our field studies have led us to some of the most remote people on the continent. We have witnessed Native Americans existing exactly as their ancestors did in prehistoric times and others who have jumped from 18th-century existence to 21st-century reality in the blink of an eye. Our ethnographic investigations have resulted in preserving valuable data related to linguistics, cultural history, ethno-environmental relationships, socio-cultural organization, cosmology, mythology, spirituality and of course, material culture. We have a detailed proposal for a magnificent cultural center-museum aimed at stimulating interest in past and present indigenous cultures. Our unique idea is not just to show beautiful objects on display. Ours is to share the entire background of a piece, not only from a scientific or scholarly point of view but also from a cultural and spiritual perspective as well. This holistic approach to understanding indigenous material culture shall include accompanying photographs, films, recorded testimonials, music, related specimens and even field notes. We want to inspire our visitors to continue their own investigations into realms of mysterious phenomena that we really know very little about. Apart from receiving monies for researching indigenous material culture, our sales contribute toward expanding interest in past cultures and ways of life. Not only can ones´ personal environment be enhanced with beautiful and interesting objects, but the benefits of knowing about different ideologies, unique ways of life and past or nearly-extinct traditions are utterly invaluable. We hope that whatever understanding, knowledge and insights are obtained from our objects will be shared with companions, friends and especially children. In this small way, we feel inspired in preserving something of native cultures and making the world a better place. Thanks for working with us. THANK YOU FOR YOUR INTEREST AND SUPPORT. The item “19th c AYMARA INDIAN BLANKET Incredible Rare Unique Navajo Likeness TM9820″ is in sale since Thursday, December 27, 2018. This item is in the category “Antiques\Ethnographic\Native American”. The seller is “andesamazon” and is located in Santa Cruz, . This item can be shipped worldwide.