Offers welcome and layaway available at…. kennethmaxymowichjewellery. Com……… Please join us at our new Native American Jewelry Facebook group “NATIVE AMERICAN JEWELRY ART TURQUOISE & CORAL”. All our Zuni jewelry comes directly from the artists here in Zuni, New Mexico. Beautiful Frank Vacit Zuni Knifewing Buckle inlaid and carved with black jet, mother of pearl, turquoise and shell. This sterling silver Zuni Knifewing belt buckle measures 2.3 inches long, 1.1 inches wide and adorned with gorgeous carved raised inlay. Wearable art that is fun, unique, one of a kind, comfortable, and entirely Native American made. Each piece designed, created and signed in the southwest USA. We will be adding new pieces weekly and appreciate your interest and custom. The pieces pictured today are created by the incredibly talented Frank Vacit. Absolutely all pieces are sterling silver, signed and handmade.
This buckle has lots of regular wear. It measures 2.25″ by 1 3/8″. Comes from the same estate as the other Native American and Southwestern pieces I have listed and will be listing including some rare pieces.
This is an incomparable vintage Navajo buckle! It features a 1943 dime coin dome silver concho with intricate hand carved and hand stamped designs, and will fit a belt with a width of 1¾ So Sensational! No marks but tested as Sterling silver, the back has copper on the back please see photos The buckle measures around 2″¾ x2″¾Sturdy 43.5grams. Silverwork is a relatively recent form of Indian art work since silver mines did not exist in the American Southwest. The Navajo Indians were the first to adopt the craft, but this wasn’t until the mid 1800s when silver became more readily available. The primary sources of silver in Navajo jewelry were often coins or flatware which were obtained through trade. Smiths would melt down silver to cast into an ingot, or block. The ingot was then hammered into a flat sheet and worked into a finished design. It was smoothed down with stones and then polished with sand or ashes. Navajo silversmiths also made use of stone molds with pre-carved designs, an extremely time-consuming process. During the early 1900s, the expansion of the Santa Fe Railroad into the American Southwest created a huge demand for inexpensive Indian-made curios. The need for financial security prompted many Indian artisans to go to work in commercial jewelry factories to mass-produce souvenirs for tourists. Non-traditional motifs and elaborate decoration were adopted in order to make Indian jewelry more appealing to the masses. As discerning collectors, the Pabsts sought out these types of Indian art. With the onset of the Great Depression followed by World War II, the demand for Indian jewelry waned, creating an economic crisis for the Navajo people. In 1934, the U. Congress passed the Indian Reorganization Act which gave tribes the right to govern themselves in an attempt to restore tribal identity and traditional ways of life. The following year, the Indian Arts and Crafts Board was created to assist Native American silversmiths by helping them establish new markets for their goods. Vocational schools were founded specifically to teach the silversmith trade, and these artisans enjoyed a growing patronage by collectors and museums. In decades since, Native American artisans have become more professionalized and individualistic in their approaches to jewelry design. Some contemporary Southwest jewelry is fashioned from steel or titanium. Other designers favor more traditional techniques and materials. The appeal of Native American jewelry – both antique and modern – has withstood the test of time.
Unique 1960’s Native American Silver Extension Belt W/Buckle, Tigers Eye & Blue Lapis inlaid stones. Detailed etching across buckle. Stones appear to have additional artwork/painting done to them. Everything is original, nothing modified. Does have a couple of scuff marks that have been circled in photos. Piece is not perfect but in great condition for being 55-60 years old. Rarely worn, belt has no twisting or problems in function. Buckle attaches to extension belt with wide hooks which I attached the best photo I could get of them. I have searched for another for quite some time and never found anything similar. Buckle measures just over 3″, exactly 3″ from belt attachment notches. Extension belt measures (laying flat) 18″ to (fully extended) 36″. With full extension and buckle combined would fit up to 39 waist. If you have any questions or would like additional photos please let me know.
This vintage Native American Indian beaded belt is a rare and unique piece that is sure to catch the eye of any collector or lover of ethnographic antiques. The intricate beadwork, featuring multi-color beads, is complemented by a stunning wood buckle that adds a touch of natural elegance to the design. The belt is believed to be original, truly capturing the essence of Native American culture and craftsmanship. Made from high-quality materials, including wood and beads. This belt is not only a beautiful display item but also a functional accessory that can be worn and appreciated for years to come. Add this stunning piece to your collection today.
HAND SIGNED “J” 1979 FOR JERRY H. TOP: CORAL AND SILVER (TESTED POSITIVE FOR SILVER). Therefore be sure that’s exactly your size, you’re happy with the color and quality of the item. However item is clean and ready for a wearing.
Rare native american Sammie Kescoli sterling stamp buckles 3 pieces set. The buckle is about 1 1/2 inches by 2 2/8 inches (widest point). It would fit belt width’s size 7/8 inches. It is marked S. It is in good condition with minor wear. Comes with black leather woven belt size 32 inches made in China and shows wear.